Hands-on with the Z 50, Nikon’s 1st mirrorless APS-C camera

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Manage-sensible, the Z 50 is stripped down a bit compared to the Z six and has no joystick, but it does function a manage wheel, two top rated manage dials, two function buttons and a major function dial. All round, the ergonomics appear excellent for such a little camera, with a good mix of menu-driven and manual controls.

As for the battery, Nikon is making use of an all-new 1,120mAh form known as the EN-EL25, and is promising 280 or 320 shots on a charge with and without having the EVF, respectively. The single storage slot supports slower SDXC UHS I cards. That is as well terrible thinking about that Canon’s new M6 Mark II supports UHS II, which delivers triple the speed.

On the efficiency front, Nikon says that the Z 50 can shoot bursts at up to 10 fps, each in mechanical and totally silent electronic shutter modes, which matches most of its rivals. In addition, it can hit these speeds with continuous AF and auto-exposure enabled.

It comes with a 207-point phase-detect autofocus program, comprehensive with AI powered eye-detection. On the video side, the Z 50 can deal with 4K video with a complete sensor readout, just like Sony’s A6400 and the Fujifilm X-T30. In comparison, Canon’s M6 II only does 4K with an annoying 1.five occasions crop that tends to make it hard to vlog or shoot in tight spaces.

As for ISO speeds, you can shoot in low-light at up to ISO 51,200, expandable to ISO 204,800, which is not terrible at all for a crop-sensor camera.

These are the specs, but I also had a possibility to use it for a bit at Nikon’s occasion. In spite of the smaller sized size, the Z 50 signifies company thanks to that protruding grip. It really is virtually comically significant compared to the size of the camera and provides you a vice-like hold on it. I seriously liked the Z 6’s ergonomics, and the Z 50 is equivalent, albeit with fewer buttons and no joystick. So far, I’d rank its ergonomics as finest in class, followed by the Canon M6 II, Fujifilm X-T30 and Sony’s A6400, in that order.

You will will need to dive into the menus additional normally due to the fact of the lack of buttons, but Nikon’s menu program is improved than what Sony and Canon supply, even though a bit beneath Fujifilm. Thanks to the logical layout, I was capable to locate all the functions I necessary and under no circumstances got lost. You can also use the touch-operated function menu to do most widespread chores. You really should be capable to stay away from making use of the complete menu entirely for the most aspect if you set up the manual controls the way you like.

Nikon Z 50 APS-C DX mirrorless camera

I was impressed with the burst speeds and autofocus efficiency. At complete RAW and JPEG good quality, I could fire off 10 fps bursts for practically 40 shots prior to the buffer filled up. It only took a handful of seconds prior to I was prepared to fire once more, but to hold that time down, Nikon suggests you use a quickly memory card.

Although shooting these bursts, I changed from topic to topic to see if the autofocus could hold up. It did for the most aspect, but wasn’t as speedy as Sony’s otherworldly AF program. The face and eye-detect program seemed practically lag absolutely free, and kept up with subjects even when they turned about or momentarily went out of view.

Throughout a speedy test, I discovered that photos yielded organic-searching colors. 4K, 30 fps video good quality also looked excellent, with no indicators of aliasing and crisp, precise colour reproduction. The Z 50 can deal with 1080p at up to 120 fps, and even lets you record audio at that higher framerate, as opposed to the Sony A6400. Sadly, Nikon did not let me hold any of the pictures or videos I shot with the pre-production unit I tested, so I cannot share the outcomes.

All told, the Z 50 appears promising so far, maintaining pace with rivals and topping them when it comes to handling. It arrives subsequent month and will price $860 (£849) for the physique only, $1,00 (£990) with the Nikkor Z DX 16-50mm f/three.five-six.three VR lens and $1,350 (£1,200) with each that lens and the DX 50-250mm f/four.five-six.three VR lens. Nikon UK is also supplying the physique, DX 16-50mm and FTZ F-mount lens adapter for £1,130, when Nikon USA could unveil a equivalent deal later. Nikon also revealed that its outstanding higher speed, manual concentrate Nikkor Z 58mm f/.95 S Noct lens will price a cool $eight,00, which I am assured is a deal for such a fancy piece of glass.

Meanwhile, the Z 50’s costs really should appeal to really serious amateurs, specially if they have some Nikon glass lying about. So far, I consider the Z 50 holds its personal against rivals, but we’ll have to reserve judgement till we can publish a complete assessment.

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